![]() ![]() Image sourced from Seth Price’s artwork Dispersion, 2002-ongoing. Michael Green, From Zen and the Art of Macintosh. In this selection, we present 10 great artist websites to ride this wave. ![]() Online exhibitions, web radio shows, VR galleries: artworlders spend a lot more time with their browser these days. Call it a blessing or a curse, the recent enthusiasm for all things online due to lack of alternatives (read coronavirus situation) has spread from the largest to the smallest contemporary art initiative. His video works have been screened at the Rotterdam Film Festival Tate Britain, London Institute of Contemporary Art, London The Museum of Modern Art, New York Eyebeam, New York and Biennale de l'Image en Mouvement, Saint-Gervais, Geneva, among others.Here is our (temporary) selection of 10 great personal websites of contemporary artists, chosen among both internet litterates and not.Ĭontemporary art and the internet have been revamping their relationship lately. Group exhibitions include the New Museum of Contemporary Art, New York Altermodern, the fourth Tate Triennial at Tate Britain, UK Galerie Rudolfinum, Prague Blanton Museum of Art, Austin, Texas Le Plateau, Paris Air de Paris, Paris Greater New York at P.S.1 Center for Contemporary Art, New York Kunsthalle Basel SculptureCenter, Long Island City, New York the 20 Whitney Biennials 2003 Ljubljana Biennial Palm Beach Institute of Contemporary Art, Florida and Paula Cooper Gallery, New York, among others. He has had solo exhibitions at MAMbo - Museo d'Arte Moderna di Bologna, Italy Kunsthalle Zürich, Switzerland Modern Art Oxford, Oxford, England (with Kelley Walker) Friedrich Petzel Gallery, New York Art Gallery of Ontario, Canada Galleria Emi Fontana, Milan, Italy (with Michael Smith) Artists Space, New York Year, New York (with Mai-Thu Perret) and Reena Spaulings Fine Art, New York. Seth Price was born in East Jerusalem in 1973. Dispersion, Price's well-circulated, illustrated manifesto on art, media, reproduction, and distribution systems, was designed in 2001-02 for the catalogue of the Ljubljana Biennial of Graphic Art, and later published as an artist's book. Price is also part of the Continuous Project collective, which since 2003 has reprinted and disseminated seminal art texts and magazines, including the first issue of Avalanche (1970). Investigating the cultures generated and re-circulated by mass media technologies and information systems, Price ultimately questions the production and dissemination of art and meaning itself.Īs Elizabeth Schambelan writes in Artforum: "Working in an expanded range of media and subtly deranging the strategies of mass-cultural production (repackaging, piracy), stakes out resistant, rather than recuperative, positions within the so-called space of flows - the partly virtual, partly physical field in which information, culture, and capital circulate under ever-increasing state and corporate control." Shifting and manipulating the detritus of commodity culture, his projects have included early sampler-based academic music, anonymous Internet-circulated video, and art historical imagery. In conceptual works that include video, sculpture, sound, and written texts, Price engages in strategies of appropriation, recirculation and packaging to consider issues of cultural production, the distribution of information, and the role of ideology. Seth Price's multi-disciplinary art practice has gained an international following.
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